Bourchier (1863-1927) & Violet Vanbrugh (1867-1942)

February 20, 2009 by: admin

THE GOLDEN AGE OF THEATRE (1880-1920)

Arthur Bourchier was born at Speen, Berkshire (GB). As a student at Oxford, he joined the University Drama Society and began his acting career and his life-long interest in the staging of Shakespeare’s plays.

In 1889, he joined Lillie Langtry’s Company and made his professional debut in Wolverhampton as Jacques in As You Like It.
In February 1890, Lillie Langtry took over the management of the St. James’s Theatre where she presented presenting As You Like It and Grundy’s Esther Sandraz. In June, she was taken ill and Bourchier (who, at the time, was only 26) took over as manager. Lacking experience and credibility, he failed disastrously and the theatre closed in July.

(signed postcard, matt, Beagles, 214, c.1905)

(signed postcard, matt, Beagles, 147C, c.1905)

For the following decade, he acted with several companies, including George Alexander’s. In 1894, he married Violet Vanbrugh and the couple then went to New York to join Augustin Daly, to whose inspired but rigorous training scores of actors owed their subsequent successes.

B7.jpg (47288 bytes)

Arthur Bourchier in the title role of The Bishop’s Move (1902)
Plate in Players of the Day,
published in London by George Newnes,  1902.

In 1900, Bourchier briefly entered the joint management of the Criterion Theatre, London, with Charles Wyndham who was, at the time, preoccupied with the new Wyndham Theatre that had opened towards the end of the previous year. The following season, Bourchier took over the management of the Garrick Theatre in Charing Cross Road. He stayed there until 1906. Indeed, it might be said that he is there still, because there have often been reports of his ghost having been seen in the theatre!

Although a theatre manager, he continued to act – as he did every season from his first in 1889 until 1924, three years before his death. In 1902, he took the lead in The Bishop’s Move, which was partially written by John Oliver Hobbes, the nom de plume of Pearl Mary Teresa Craigie (1867-1906), the American born, English playwright and Catholic convert.

A couple of years after leaving the Garrick Theatre, he joined Herbert Beerbohm Tree’s company at His Majesty’s Theatre. Playing in Tree’s lavish Shakespeare productions, he enjoyed considerable success. In 1910, he played the title role to Tree’s Cardinal Wolsey in Henry VIII. The following year, he appeared in five more Shakespeare plays, including Macduff in Macbeth and a memorable portrayal of Bottom in A Midsummer Night’s Dream.  The same year, he and Violet Vanbrugh were also in a silent film version of Henry VIII.

Shakespeare plays continued to be a major part of his work for the rest of his career, his interpretation of the roles being acclaimed by both the general public and most critics. In 1915, he revived his part as Henry VIII in a benefit to aid the war effort.  The following Year was the Shakespeare Tercentenary and Bourchier played in several more of the Bard’s plays.

However, it was not Shakespeare that brought him his greatest success. In 1917, he starred as Old Bill in Bruce Bairnsfather’s The Better ‘Ole at the Oxford Theatre, London. It ran for fifteen months.

It was during this period, that his marriage finally disintegrated and, in 1918, he and Violet Vanbrugh were divorced. Their daughter, Prudence Vanbrugh, also became an actor.

Shortly before Bourchier retired from the stage, he had another considerable success. For 123 performances – from December 23, 1922 to April 7, 1923 – he played Long John Silver in his production of Treasure Island at the Strand Theatre.

On the 23 April, 1923, he took part with other famous actors, including Basil Gill, in an early broadcast on 2LO – the first radio tribute on Shakespeare’s birthday, consisting of a presentation of eight scenes from his plays by the British Empire Shakespeare Society.

Arthur Bourchier was not universally admired. There were some who thought he had far too high an opinion of himself. One such was W. S Gilbert who, when it was announced that Bourchier was to play Hamlet, said:
‘At last we can settle whether Bacon or Shakespeare wrote the plays. Have both the coffins opened and whichever has turned in his grave is the author.’

Arthur Bourchier died in Johannesburg, South Africa, on September 14, 1927.

Violet Vanbrugh & Arthur Bourchier, c.1910.

Violet Vanbrugh was born in Exeter (GB) on June 11, 1867. Her younger sister, who became Dame Irene Vanbrugh, was also a distinguished actress.

Violet acted in the companies of the Kendals (with whom she toured America) and Henry Irving. With her husband, Arthur Bourchier, she also played with Augustin Daly’s Company in New York.

Although she was considered to have been a talented and beautiful actress, her career seems to have been somewhat subjugated to that of her husband. After their divorce in 1918 she continued acting in London’s West End until the outbreak of the Second World War. She also appeared in four films during the 1920s, including a small part in Pygmalion (1938).

Violet2.jpg (30487 bytes) B3.jpg (31530 bytes) B4.jpg (20961 bytes)
Violet Vanbrugh
(as Portia) &
 Arthur Bourchier
(as Shylock) in
The Merchant of
Venice.
Postcard signed
by both
Violet Vanbrugh
c.1905
Violet Vanbrugh &
Jerrold Robertshaw
c.1906
B5.jpg (19776 bytes) B6.jpg (85772 bytes)
Violet Vanbrugh –
photo in the program
for a charity matinée
at the London Hippodrome,
October 6, 1911
Violet Vanbrugh –
 photo in the program
for Evensong
in which she starred
with Edith Evans
at the Queen’s Theatre,
July, 1932

Click for enlargement

Violet Vanbrugh died in London on November 10, 1942.

Filed under: Actors
Tags: ,

Leave a Reply

Enter this code